G:Class

G:Class

  • G:Class In Action
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  • Exhibitions
  • Lessons
    • Brion Gysin with "Dreamachine" at Musée des Art Décoratifs, Paris, 1962. Courtesy William S. Burroughs Trust, Lawrence, Kansas. © Harold Chapman/Topham/The Image Works.Brion Gysin: Dream Machine
    • Rivane Neuenschwander, "Chove Chuva [Rain Rains]," 2003. Aluminum buckets, water, steel cable, ladder. Dimensions variable. Installation view at New Museum; image courtesy the artist. Photo by Benoit PailleyRivane Neuenschwander: A Day Like Any Other
    • Julieta Aranda, "Memories of things present #2," 2008. Wine glasses, newspaper, and cotton, seeds, dimensions variable. Photo by Annie WachnickiMuseum as Hub: In and Out of Context: REDUX
    • UntitledSkin Fruit: Selections from the Dakis Joannou Collect
    • UntitledMuseum as Hub: In and Out of Context
    • UntitledNikhil Chopra: Yog Raj Chitrakar: Memory Drawing IX
    • UntitledUrs Fischer: Marguerite de Ponty
    • "Remains of long-drop lavatories, Frankfort, Eastern Cape, 22 February 2006."All works are exhibition prints made using archival ink, and appear courtesy the artist, Goodman Gallery, Johannesburg, and Howard Greenberg, New York. The Photography of David Goldblatt
    • Installation detail of "The Deeper They Bury Me, The Louder My Voice Becomes," 2009.The Deeper They Bury Me, The Louder My Voice Becomes
    • © 2009 Emory Douglas / Artists Rights Society (ARS), New York Emory Douglas: Black Panther
    • Ciprian Muresam, Chooseâ, 2005. Video, 0:45 min. Courtesy Plan B, Cluj, and Kontainer Gallery, Los AngelesThe Generational: Younger Than Jesus
    • Mathias Poledna, still from Crystal Palace, 2006. 35mm color film with optical sound, 28 min. Courtesy Richard Telles Fine Art, Los Angeles; Galerie Daniel Buchholz, Cologne; and Glaerie Meyer Kainer, Vienna.Three M Project
    • Michael Blum, Installation detail of Exodus 2048, 2008. Photography by Benoit Pailley.Museum as Hub: Be[com]ing Dutch at a Distance
    • Still from C.L.U.E. (color location ultimate experience), 2007. Courtesy the artists and Taxter & Spengemann.C.L.U.E. (color location ultimate experience)
    • Installation of Mary Heilmann: To Be Someone 2008.Mary Heilmann: To Be Someone
    • UntitledInvestigating Neighborhood: A Walk To Remember, A Walk To Envision
    • Dave McKenzie, still from Postcards From, 2008. Single-channel video with sound. Courtesy the artist.Investigating Neighborhood: Six Degrees
    • Elizabeth Peyton,Piotr on Couch, 1996. Oil on board, 9 × 12 in (22.9 × 30.5 cm). Seattle Art Museum, gift of the William E. Weiss Foundation, Inc., 97.11.Live Forever: Elizabeth Peyton
    • Ayman Ramadan, Koshary min Zamman, 2006, Installation. Image courtesy the artist and Townhouse Gallery of Contemporary Art, Cairo.Investigating Neighborhood: Antikhana
    • William Christenberry, Kudzu with Storm Cloud, near Akron, Alabama, 1981. Chromogenic color print, 16 × 22 in (40.6 × 55.9 cm). Courtesy Pace/MacGill, New YorkAfter Nature
    • Michael Patterson-Carver, <em>Same Sex marriage</em>, 2007. Ink and pencil on paper. 15x20 in / 38x50.8 cm Collection Nancy Delman Portnoy, New York2008 Altoids Award
    • SANAA, New Museum building. Photography by Dean Kaufman.Art and Architecture
    • Photography by Alison Brady.Double Album: Steven Shearer and Daniel Guzmán
    • Paul Chan, 2nd <strike>Light</strike>, 2006. Digital video projection; 14 min. Courtesy the artist and Greene Naftali, NY. Image by Jean Vong.Interpreting the 7 Lights
    • Photography by Alison BradyDrawing Formal Evidence in Tomma Abts
    • Shinique Smith, Detail of Bale Variant Number 0011, 2005 Clothing, accessories, twine, and wood, 72 in x 28 in x 28 in, 150 pounds. Courtesy of the artist and Moti Hasson Gallery, New YorkExploring Unmonumental
    • Christoph Draeger, Tlatelolco, 2005. Neon sign. Collection Hotel Habita, Mexico City. Photography by Alison Brady.Investigating Neighborhood: Tlatelolco and the localized negotiation of future imaginaries
    • Final project from Lily, a student at City-As-School, 2007.Curriculum: Art and The Age of Revolution
    • UntitledBowery Artist Tribute
    • Image banner: Student work from the Visual Knowledge Program, 2004.The Visual Knowledge Program (VKP)
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